Cuban crisis analyzed from the perspective of a decadent filmmaker and his hot neighbor arrived in poetic-philosophical interludes. One of the first films to imply the mastery of the collectivist identity of Timóteo Pinto. Petter Baiestorf's homage to all film festivals in Brazil in the true story of Coffin Souza and his miserable life full of disappointments and, at times, some almost joyful joys.
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Vai Tomar No Oríficio Pomposo (Petter Baiestorf, 2004)
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