Self-portrait with Nanny (2004) is a gem from last year. The faded images of Kaganof as a baby put to retro burlesque music are a reference to the silent films of long ago. Once again, Kaganof pays homage to popular cinema, for this film is a perfect essay on the durability of cinematic time, as well as on the auto referential and egocentric dimension of the work of many great artists.-Dionysos Andronis
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