One of the Louvre’s star paintings, with a dizzying composition. August 1794: David is 46 years old and in prison. Compromised by his association with Robespierre and his allies, he risks the guillotine. He reads the classical authors, and an episode from the founding of Rome inspires the idea for a painting. Once released, he regains his studio, his students, and his former fame. The painting would not be completed until 1799. Shown as part of a paid exhibition—the first attempt of its kind in France—the canvas attracted a considerable crowd. The scene depicts the moment when the Sabine women, who had become the wives of the Romans after being abducted, intervene between Romans and Sabines and bring an end to the war between the two peoples. In this work, David incorporates not only his passion for ancient Rome, but also a strong element of political allegory.
Sign in to add to your listWhat critics are saying
Verdicts use the same scale as your list: highly recommended through avoid — plus optional scores and blurbs.
Nobody on Critic, Sir! has logged a verdict for this title yet. The silence is either respectful or suspicious.
Sign in and use Add to My List below to share your own verdict.
Watching Lists
Sign in to create and edit public lists.
Loading lists…
Purchase & Discovery
Find this title on Amazon
Digital
Prime Video & digitalAmazon mixes rent, buy, and Prime in one place — one search covers the usual options.
Physical edition
4K Blu-ray & physical releasesSearch on AmazonOfficial merchandise
Official-style merch searchApparel, collectibles, and moreAs an Amazon Associate, Critic, Sir! earns from qualifying purchases. Full disclosure