London-based Australian artist David Noonan (b. 1969) uses found imagery as the basis for his screenprinted canvases and sculptures. His images encapsulate the romanticism of Golden Age cinema, and its associations with memory, fiction, and modern mythology. Enigmatic figures, printed in grainy black and white or sepia, pose in these elaborate artworks, invoking covert and futuristic rituals. This monograph offers the first comprehensive overview of his work.
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